Modern technology and science have produced a wealth of new materials and new ways of using old materials. For the artist this means wider opportunities. There is no doubt that the limitations of materials and nature of tools both restrict and shape a man’s work. Observe how the development of plastics and light metals along with new methods of welding has changed the direction of sculpture. Transparent plastic materials allow one to look through an object, to see its various sides superimposed on each other (as in Cubism or in an X-ray). Today, welding is as prevalent as casting was in the past. This new method encourages open designs, where surrounding and intervening space becomes as important as form itself.
　　More ambiguous than other scientific inventions familiar to modern artists, but no less influential, are the psychoanalytic studies of Freud and his followers, discoveries that have infiltrated recent art, especially Surrealism. The Surrealists, in their struggle to escape the monotony and frustrations of everyday life, claimed that dreams were the only hope. Turning to the irrational world of their unconscious, they banished all time barriers and moral judgements to combine disconnected dream experiences from the past, present and intervening psychological states. The Surrealists were concerned with overlapping emotions more than with overlapping forms. Their paintings often become segmented capsules of associative experiences. For them, obsessive and often unrelated images replaced the direct emotional message of expressionism. They did not need to smash paint and canvas: they went beyond this to smash the whole continuity of logical thought.
　　There is little doubt that contemporary art has taken much from contemporary life. In a period when science has made revolutionary strides, artists in their studios have not been unaware of scientists in their laboratories. But this has rarely been a one-way street. Painters and sculptors, through admittedly influenced by modern science, have also molded and changed our world. If break-up has been a vital part of their expression, it has not always been a symbol of destruction. Quite the contrary: it has been used to examine more fully, to penetrate more deeply, to analyze more thoroughly, to enlarge, isolate and make more familiar certain aspects of lire that earlier we were apt to neglect. In addition, it sometimes provides rich multiple experiences so organized as not merely to reflect our world, but in fact to interpret it.
Which of the following is tree about Surrealists?

A.They diminished all time barriers and moral judgements to combine disconnected dream experiences
B.They tried to express their subconscious world
C.They could transform real existence into incoherent dreams
D.They wanted to substitute direct expressions for fragmented images

答案： B

本题解析：

本题是关于Surrealists的，可以在第二段找到相关内容。B项“他们试图表达他们的潜意识世界”，subconscious（潜意识）与文中的unconscious（无意识）相近，符合题意。A项diminish（减少）与原文中的banish（排除）意思不符。C项“可以将现实存在转换成不连贯的梦境”，与原文中的第二段第三句不一致。D项意思是“他们想用直接的表达方式取代片断性的想象”，与文意完全相反。

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